Social media // NAVA Code of Practice
Why we can’t ignore TikTok // Hardie Grant Media
DESIGN Canberra 2020 // A Rich Life
Hyper-linked – an exhibition in the digital realm // A Rich Life
Carriageworks survives, but what about the rest? // A Rich Life
Australian Culinary Archive // A Rich Life
#TogetherInArt // M&G NSW
On the Bread and Circus of Isolation // A Rich Life
SCCI Fashion Hub Goes Virtual // A Rich Life
Wansolwara // Art Almanac
SDC 2020 Season One: Bonachela/Forsythe // A Rich Life
NIRIN: the 22nd Biennale of Sydney // A Rich Life
Alex Seton: The Great Escape // A Rich Life
Kate Baker: Sublimate // Art Almanac
Detestable and delectable // A Rich Life
Sublime Sea: Rapture and Reality // A Rich Life
The Glass Plate Technique // Catalogue Essay
Water // A Rich Life
Jason Phu & John Young Zerunge: The Burrangong Affray // Art Almanac
Melinda Young // The Monday Issue
Sean Lee // Singapore Art Gallery Guide
Kate Banazi // The Monday Issue
On DECK // Singapore Art Gallery Guide
Bachelor of Art Theory Thesis // Grey Zones & Yellow Signals
A Grey Matter // Singapore Art Gallery Guide
Marty Cordoba // The Monday Issue
Eloise Maree Crossman // The Monday Issue
Bee Bowen // The Monday Issue
Kieran Butler // The Monday Issue
110% // The Monday Issue
Su-An Ng // The Monday Issue
KB / KB // catalogue essay
The new Garage Museum of Contemporary Art in Moscow // ARTAND
Girls On Film: Considering the Female Image on Screen // DLux Media Arts
Highlights from the MGA Collection // ARTAND
Frank Stella: A Retrospective // ARTAND
Lee Bul // ARTAND
Don't Look Away: A Review of the World Press Photo 2015
